![\"constantin_specimen\"](\"http:\/\/feren.cz\/wordpress\/wp-content\/uploads\/2017\/05\/constantin_specimen.png\")
<\/a><\/p>\nThis typeface was originally designed with displays in mind, such as posters. In order to make it applicable to shorter texts and highlights, it was later modified so as to function as a bold weight and heavily contrasted body typeface. The addition of a variety of weights, such as thin, regular, and bold, is still to come.<\/p>\n With Constantin being a didone style typface, the axis of the \u2018o\u2019 has a precisely vertical stress, as well as that of the \u2018e\u2019, \u2018g\u2019 and all the round letters. In many cases, the stroke terminals are ball shaped. However, rather than bridging the \u2018ball\u2019 and the stroke with a lightly curved arc, the terminal is adjoined in an acute angle, signifying the insertion of the typeface into the digital medium. The contrast between thin and thick lines is abrupt and dramatic, and the width of the thin strokes is always the same and is equal to the height of the serifs. The serifs are un-bracketed and thin. In sum, the typeface was constructed in a systematic and logical fashion: the shapes can be divided into separate groups, creating a coherent system, and rendering the texture vibrant yet legible.<\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n